RESUME

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Shravya Shetty

3D Animator

Previs, Postvis Animator. Focused on story development and high-quality animations. Adaptable team player with strong animation and technical skills.

Work
Previs Artists. Framestore. London. Present

•  Animated Cameras, Characters, creatures, vehicles and props for Visualization in Maya.

• Worked on realistic hand keyed animation of animals for postvis.

• Animated, added effects, lighting and rendered through Unreal Engine 5.

• Learned Linux and pipeline as required for projects.

• Implemented, blended and cleaned up motion capture Animation.
  
  

3D Animator/Visualization Artist. Halon Entertainment. 2021 - 2023

• Animated Cameras, Characters, creatures, vehicles and props for Visualization in Maya.

• Created and updated shot sequences in previs for film and games, learned and implemented techvis to film the sequences created and finally completed the postvis for the very same once filming for said shots were completed.

• Animated cameras and characters, added effects, lighting and rendered shots in Unreal. Created animation cycles to be used by other artists.

• Learned and taught match-moving to peers.

• Implemented, blended and cleaned up motion capture Animation.

• Composited shots with multiple elements - CG animation renders, elements, 2D effects, unreal effects and live-action plates together in After Effects for postvis.

• Created 3D assets with simple rigs as and when required of the project.

• Used Mocha and After Effects to rotoscope plates.

• Credits
  IMDb Link
  Kingdom of the Planet of the Apes (2024)
  Argylle (2024)
  The Hunger Games: The Ballad of Songbirds and Snakes (2023)
  The Last Voyage of the Demeter (2023)
  Cocaine Bear (2023)
  Atlas (TBA)
  Project Artemis (TBA)
  Unannounced Paramount Pictures Movie
  Unannounced Game Cinematics
  Unannounced TV show

Layout Artist | 3D Modeler. MPJI. 2020 - 2021

• Learned Sketch up to Layout Cameras for videos, to showcase.  

• Edited and art directed shots and scenes for clients presentations.

• Worked collaboratively with multiple teams across platforms.

3D General Artist. Veles Inc. 2020 - 2021    

• Animated props and characters for trailer.

• Modeled 3D assets.

• Worked with design team to help form  brand identity.

3D Asset Artist. Friendly Vengeance. 2021 
Animated for WebGL and modeled low poly models for making a cohesive design. 

3D Animator. Studio X. 2019 - 2020
Worked on multiple shots for three different student collaborative projects. Worked with directors, producers, concept artist and sound artists.  

• Good Bad and Beautiful

• Duel

• Coyotes Place
  
  

Internships

3D Camera Layout Artist/3D Modeler. S & M Associates. 2020

Summer Internship. Covered camera layouts in 3D space, built 3D models for the designs and photo edited buildings and interiors. Worked on production cost, management and edits.

3D Modeler/2D Animator Intern. After Studios. 2016

Summer internship. Modeled multiple objects and fixed texture maps for 

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Education

M.F.A. 3D Animation. Fall 2020

Academy of Art University, San Francisco, CA.

 B.F.A. Commercial Art. Specialized in Computer Graphics. 2017

Rachna Sansad College of Applied Art and Craft, Mumbai, India.

Relevant Couse work

Feature Animation 2. Spring 2020

Focused on body mechanics of characters in action scenes, how to convey body weight, object weight as well as selection of acting choices to make characters come alive and on screen. Taught by industry professionals working at Pixar thus also dubbing the class as P2.

Special topics Dialogue and subtext. Spring 2020

Lip Sync, emotions and the subtle nuances of character facial expressions to convey a believable performance. We also studied a vast number of movies and references to see the complexities in human movement and emotions and applied them to our animations.

Advanced Character Animation. Fall 2019

Animated creatures, characters dialogue and performances with a heavy focus on physicality of characters and how to combine all the principles of animation to produce a believable piece.

Acting for Animators. Fall 2018

Learned that animation is all about acting and how to take references and making the characters personality believable and convey the emotions and physicality perfectly.

Story Boarding for thesis. Summer 2018

Can draw storyboards to help plan out thesis along with understanding different camera angles and maintain continuity throughout the story from one shot to another without making any jumps and the story arc progressing smoothly.

Traditional Animation. Spring 2018

Learned how to animate in 2D traditionally using both software’s and traditional cell sheets, making animations principles stronger in any medium.

Skills

Art

Drawing, Storyboarding, Digital Painting , Canvas Painting, Concept Art, 3D Modeling, 2D Animation.

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Technical

Autodesk Maya, Unreal Engine, 3ds Max, Autodesk Mudbox, Adobe Photoshop, Adobe Illustrator, Adobe After Effects, Adobe Premiere Pro, Toon Boom.